MIKE RICCETTI
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  • The best of Houston dining
    • Best Values
    • Breakfast
    • Chinese
    • Cocktails
    • Fajitas
    • Hamburgers
    • The Heights
    • Italian
    • Indian / Pakistani
    • Mexican
    • Middle Eastern
    • Pizzerias
    • Sandwiches
    • Splurge-Worthy
    • Steakhouses
    • Sushi
    • Tacos
    • Tex-Mex
    • To Take Visitors
  • Musings on Houston Dining
    • The best new restaurants to open in 2023
    • Houston's Italian restaurant history
    • Restaurants open for lunch (or brunch) on Saturday
    • Restaurants open for Sunday dinner
    • Restaurants open for lunch on Monday
    • Restaurants open for dinner on Monday
    • The top 10 new restaurants of 2022
    • The top 10 new restaurants of 2021
  • The margherita pizza project
  • The martini project
  • Italian restaurant history
  • Italian & Italian-American
  • Entertaining tips
    • Booze basics
    • Styles of Cheeses
    • Handling Those Disruptive Guests
  • Wine
  • Beer
  • Cocktails and Spirits
  • Miscellaneous
  • Blog
MIKE RICCETTI

Mostly food and drink...

...and mostly set in Houston

The 10 best new restaurants to open in Houston in 2025

12/31/2025

3 Comments

 
This past year, 2025, might have been the year of the chef concerning new restaurants, as chefs seemed to play a more publicly prominent role than usual. Several of the city’s top chefs thankfully returned to public kitchens: Bryan Caswell, Maurizio Ferrarese, Terrance Gallivan, and Nick Wong. Another couple, Hugo Ortega and his brother, pastry chef Ruben Ortega, added to their collection of excellent Mexican eateries. And a few new toques emphatically joined the mix, headlining fine-dining restaurants in Houston for the first time: Shawn Gawle, Christian Hernandez, and Luis Robledo Richards. The city also saw its first two properties open from the hip Austin-based Bunkhouse Hotels in the past year-plus, both with restaurants. One is an odd-looking, brown-colored motel, if an expensive motel – no need for air-conditioned hallways in Houston – a structure that stands in an unfavorably stark contrast to Renzo Piano’s landmark Menil Collection building a block away. The other is quainter and a more appropriate structure in the Heights. The kitchen in the latter is also more interesting. See below. The Heights continues to grow as a culinary destination, with three of the city’s best new restaurants opening there. Just 15 years ago, there was absolutely nothing in neighborhood, now it is rivaling Montrose as the area’s top dining destination.
 
Agnes and Sherman – Contemporary Chinese-American – Entrées: $19 to $49, $29 average – Chef Nick Wong took a step back from the bolder cooking he was turning out at UB Preserv a couple of years earlier for this effort in the brightened, inviting former Shade space. Here he is serving homey Chinese-American cooking with plenty of local flavors for the present-day prosperous Heights; quite a ways from Bellaire boulevard. the dinner menu is meant for sharing. egg foo young makes a return, but with crawfish and a sauce of gumbo, beef fajita chow fun, cheeseburger fried rice, and a very prettily rendered steak frites give an idea of the ethos and attractions here. Not everything works as well as hoped for, but it can be fun, and it’s great that Wong stayed in Houston. 250. W. 19th Street, 77008, Heights.
 
Barbacana – New American – Entrées: $38 to $68, $48 average; $125 set menu – Fully opened in January of 2025 and catercorner from where the late, lamented Public Services once stood, this is an insertion of ambitious dining in an underserved part of downtown. Chef Christian Hernandez, who cooked at top spots locally, in Mexico City, and New York, with Michelin-starred experiences along the way, was chef de cuisine at March before starting Barbacana. In an attractive, industrial-esque space, he serves both a la carte and tasting menus with influences from around much of the globe, currently, France, Mexico, Middle East, New Orleans, India, Vietnam, Japan and Korea. Dry-aged duck breast, with pistachio dukka and a date demi-glace, and braised pork collar with nước chấm are just a couple of the wide-ranging preparations that manage to come together well on the plate and on the menu. Dishes are grouped among small, tartine, medium, large, and sides to mix and match, and share. There is even dessert tasting menu who want to swap protein for sugar, maybe after a nearby show. 907 Franklin, 77002, Downtown.
 
BeauSoliel – French – Entrées: $28 to $38, $33 average – Charmingly set in a house-like structure, this is a neat neighborhood spot for Garden Oaks and the nearby Heights serving well-executed French fare. Its menu was pared down late in the year to offer easily appreciated dishes like onion soup, escargots in puff pastry, duck breast or duck confit, moules marinières, a version of steak au poivre, and tarte tatin to finish. It is all somewhat bistro-esque in practice. There are white tablecloths and plush chairs inside and no chalkboard menu showing the daily offerings, but with a long bar, expansive patio, and black-and-white videos of Julia Child’s early shows airing playfully behind the bar, the effect is inviting, like a bistro. Wine could be taken more seriously here. Quickly noticeable, the wine glasses are big, clunky, and ornate in a K-Mart-fancy way, something a grandmother in Iowa might dust off and use for the holidays. You can drink decently enough, but the list lags in contrast to most quality restaurants in town. 963 Judiway, 77018, Garden Oaks.
 
Camaraderie – New American – Entrées: $18 to $42, $27 average; $75 set menu – Dining here is a little different, as is the setting. Quite cool, minimalist with a Scandinavian light-wood décor but comfortable, it has a small lounge area that is open to the dining area which is open to the very open kitchen area where Chef-owner Shawn Gawle and team are composing your meal. The lounge has a short food menu with a la carte items, while the main dining area serves only a $75 set menu. The latter can make for one of the most enjoyable dining experiences in Houston. This changing set menu is not inexpensive, but for the quality is an excellent value. The dishes are compelling, intelligently composed with obviously top-notch ingredients, and very well executed in an attractive fashion. Easily likeable and approachable, too. It is not fussy fare. Gawle’s work at restaurant from the legendry Joël Robuchon and later a couple of three-star Michelin restaurants in San Francisco is very evident. The ravioli, which might be served in various ways, are very well-crafted, almost ethereal, and in the Italian fashion with the soft ‘00’ flour, hence the “doppio” name on the menu. Entrees might feature the classic French maritime protein presentation, skate wing Basquaise, and with shishito and heirloom peppers, and a small veal osso buco, artfully wrapped in bucatini. Desserts are excellent and unique; Gawle was previously the executive pastry chef at March. This summer saw frozen yogurt with stone fruit, granola and extra virgin olive oil, and another featuring bees wax gelato, candied almonds and meringue. The wine list is quite brief, but quite well-chosen. Service is attentive, informed and enthusiastic. Camaraderie is my vote for Houston’s best new restaurant. 608 W 11th Street, 77008, Heights.
 
Hypsi – Italian – Entrées: $26 to $39, $32 average – Opening late in the year from chef Terrance Gallivan, whose terrific little pizza and crudo specialist Elro shuttered at the end of 2024, is thankfully back heading a kitchen within a year; and again working in Italian translated into the current American idiom. Before a star turn at Pass & Provisions here, Gallivan worked kitchens at acclaimed Italian restaurants in Manhattan, Fiamma and Alto, the last where he was executive chef. There is focaccia to start at Hypsi – and that can be topped with quality white anchovies – along with arancini, lamb meatballs, grilled octopus, then several generously-sized pasta dishes prepared with an American sensibility, and several mains including a pork milanese and roasted half snapper with the Italian salsa verde. A month in, this is still a work in progress though the 40-seat dining room is bustling every night. On a recent visit one pasta was overcooked and accompanying ragù a little watery, but still tasty, and the tortelllone in another was unpleasantly stiff. Some dish combinations also seem to be experimental. But Gallivan’s track record is strong and this is entry fits well among cluster of top spots on 19th and 20th Streets; Squable and Baso are nearby. As at Elro, the wines are nicely chosen, with a preference for Piedmont and northern Italy, and priced to strongly encourage a bottle order. 347 W 20th Street (in the Hotel Daphne), Houston, 77008, Heights.
 
Latuli – Regional New American – Entrées: $25 to $65, $33 average – A friend, who was a publican and restaurateur for decades here, described a recent visit to Latuli, as “the most professional dining experience I have ever had in Houston.” Bryan Caswell, the hometown kid and Jean-Georges-Vongerichten protégé with a global resume who won local acclaim at his seafood-centric Reef in Midtown, is back in an attractive and spacious, purpose-built setting serving well-crafted and confidently flavored foods reflective of Houston. Dishes from Louisiana and the Texas Gulf are prominent, as would be expected from Caswell, and these share menu space with Mexican and contemporary Italian-influenced preparations, nearly all enticing. The nicely complementary wine list from seasoned sommelier Jeb Stuart is well-edited and presented; mostly French and Italian. There are also a number of other fruit-forward, bolder, much less food-friendly and more expensive options from California in each of the categories for the crowds from the surrounding Memorial villages. This is a great addition in an area without many interesting, fine-dining options – just Bar Bludorn and Credence, both newish – but plenty of disposable dining dollars. And Bryan Caswell is back helming a Houston kitchen, terrific for any neighborhood. 8900 Gaylord at I-10 between Voss and Campbell, 77024, Memorial.
 
Mayahuel – Mexican – Entrées: $45 to $63, $50 average – Luis Robledo Richards came to town with the short-lived taco joint Comalito with the Underbelly Hospitality group while that was imploding post-Chris Shepherd. This setting at Mayahuel is far cry from any taqueria, along with the menu and ambitions. The list of dishes here is concise but should satiate nearly any diner with even a faint interest in Mexican food. Meats, seafood, and vegetables appear in enticing ways, often bolstered by excellent tortillas that are products of in-house nixtamalization. Meaty maitake mushrooms are given the pastor treatment, if without a trompo, which still works very well, barbacoa from short ribs from regional Wagyu cattle, and grilled cod are a few of the delightfully presented dinner items worth an order. Part of the restaurant group that includes Liberty Kitchen and the lackluster State Fare, a pretty penny was spent on the buildout in an address that includes Annebelle’s and the new Annam. Soothingly but attractively beige and with an open kitchen to lighten the mood, the dining areas are gorgeous. Be sure to save room for dessert or chocolates to go. Richards was formerly the executive pastry chef at New York’s Le Cirque, owned an acclaimed chocolate shop in Mexico City, and, not least of all, was named the best pastry chef in Latin America by the 50 Best Restaurants organization in 2019. 811 Buffalo Park, 77019, River Oaks.
 
Remi – Italian, American – Entrées: $14 to $74, $35 average – A lower key successor to Alba in the Hotel Granduca, Remi warrants attention because Maurizio Ferrarese still heading the kitchen. Ferrarese is probably the most underappreciated chef in the area and one of the very best Italian chefs in the entire region. Among other skills, he is certainly the local best crafter of risotto dishes, befitting a native of Vercelli, Europe’s capital of rice. The hotel guest-friendly menu here includes house-made ribbons of tagliolini topped with ragù bolognese, a true take, which is brighter and lighter than most versions, and then paired on the plate with some enjoyable fat from a couple dollops of whipped ricotta. Roman style artichokes, Ora King Salmon with charred broccolini in a romesco sauce are a couple other interesting options, all with execution far better than a typical hotel setting. The menu and restaurant space will be expanding in the near future. 1080 Uptown Park Boulevard (in the Hotel Granduca), 77056, Uptown Park.
 
Silk Road – Dim Sum – Dim Sum Dishes: $8 to $15; Rice and Noodles: $20 to $27; $40 average –  This all-day dim sum spot is, quite unusually, set in the dining area of a Courtyard by Marriott on Westpark near West U. It has all the charm and level of service of a restaurant set in the dining area of a Courtyard by Marriott. The food is mostly terrific, though. Chef Thawatchai Insingha, who cooked at a Michelin starred Chinese restaurant in Bangkok, heads the kitchen that specializes in dim sum dishes. There are no carts; everything is cooked to order. The cheung fun with crispy shrimp is a highlight of the short menu. The silky smooth wrappers nicely hold the fried shrimp that provides a textural contrast and, with some of the light-tasting soy sauce, makes for a delicious, savory bite. An even more common dim sum order, the char siu bao, the fluffy, steamed buns filled with stewed pork, are very well done and offer an unusual spice note that works well. There is an uninspiring Cantonese take on hot-and-sour soup that can be missed, and soup dumplings that are better left for the more Shanghai-attuned spots, but you should be here for dim sum, and this is quite likely the best dim sum in Houston. Unfortunately, it is easily the most expensive, too. 2929 Westpark (in the Courtyard by Marriott), 770005, West U.
 
Zaranda – Mexican – Entrées: $32 to $85, $55 average – The fifth Mexican concept from star chefs Hugo and Ruben Ortega and the H-Town Restaurant Group is an upscale, contemporary one featuring soaring ceilings directly across Discovery Green from its last one, the Oaxacan-themed Xochi. The cooking at Zaranda is stated to be inspired by “the historic region spanning from Northern California to Cabo San Lucas….shaped by coastal seafood, ranching traditions, Spanish influences, and Asian immigration… [that] blends wood-fired cooking, pristine seafood, arroces, premium meats, and vibrant Baja street foods…” So, this is Mexican fare that is something new for the group and for the city. It is also something very well-done as might be expected from them. The mix-and-match-suited menu is divided among starters, shellfish, tacos, tostadas, the paella-like arroces, vegetables zarandeado dishes, which are several seafood choices that are grilled in a wire basket overall coals and accompanied with a trio of salsas and a cooling cucumber salad. Plus, the range of offerings includes several enticing steaks, necessary for the visiting conventioneers staying a block or two away. 1550 Lamar (on Discovery Green), 77010, Downtown.
 
You can take a look at my choices for the best new restaurants from last year and 2023. These are reminders that Houston is a competitive market, and the restaurant business is tough.

The Tostada of Bluefine Tuna at Mayahuel.
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The Chicken Parm Index – Autumn 2025

10/15/2025

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It’s been over a year-and-a-half since I’ve revisited this, about one of the most popular restaurant dishes actually not just at Italian-themed establishments, but also at any type of restaurant. Chicken Parmesan is the most popular of any restaurant chicken dish, at least according to a fairly recent poll.
 
The previous update was sparked by reading a piece about Ken Auletta, the longtime New Yorker writer  who has had an obsession in finding excellent Chicken Parmesan preparations, and part of a group of guys who have been foraging the Italian-American eateries of the New York area for years in search of quality versions. For Auletta, a “test of a good Southern Italian restaurant is whether their chicken or veal parmigiana had a good sauce, the breading is crisp and has not been drowned in sauce, and the chicken or veal is not so thin it tastes like cardboard.”

Chicken Parmesan is an American creation that grew from the eggplant parmigiana preparation from southern Italy and Sicily, with the meatier chicken substituting for the less caloric eggplant at its core. Veal Parmesan came first, at least by the 1930s while Chicken Parmesan debuted on restaurant menus at least a couple of decades later. Veal Parmesan is certainly a much better dish – though the version at the venerable Ralph’s near the Italian Market in Philadelphia a few weeks ago was disappointing – and my favorite dish as a kid, but Chicken Parmesan is ubiquitous throughout the country, the veal version much less so. Industrially produced, widely distributed, easily affordable, and easy to cook with, abnormally large, if typically fairly tasteless, chicken breasts provide the key reason for the popularity of Chicken Parmesan. The dish at restaurant is a chicken breast or two – rarely pounded very thin – breaded and pan-fried, sometimes baked, and topped with mozzarella and maybe some other Italian-inspired cheeses and melted in an oven, and served in a tomato sauce usually with a side of pasta, likely spaghetti, also in that tomato sauce. You know what it is. And even longtime New Yorkers and Italian-Americans like Ken Auletta might really like it if done well.

People like Italian-American food, in even the most minor key. And here is what Chicken Parmesan will currently cost at the biggest Italian-American restaurant chains:

  • Bertucci’s – $24.99, served with spaghetti in tomato sauce – 13 locations
  • Biaggi’s – $23.25, served with something called “Three-Cheese Alfredo Rigatini” – 16 locations
  • Bravo! Italian Kitchen – $26.99, served with herbed linguini; – 23 locations
  • Brio Italian Grille – $28, it is called the fancier, slightly Frenchified Chicken Milanaise, but it is Chicken Parmesan; served with herbed pasta – 25 locations
  • Bucca di Beppo – $33.99 for a portion that feeds three, $11.33 per person – 69 locations
  • Johnny Carino’s – $21.99, served with spaghetti with tomato sauce – 24 locations
  • Carrabba’s Italian Grill – $24.49, Served with your choice of side – 212 locations
  • Fazoli’s – $11.99, served with spaghetti with marinara sauce and two breadsticks – 196 locations
  • Il Fornaio – $39 – served with spaghetti pomodoro – 18 locations (only offered in two, though)
  • Maggiano’s Little Italy – $26, served with spaghetti and marinara sauce – 52 locations
  • North Italia – $26, served with “parmesan rigatoni” – 40 locations
  • Olive Garden – $21.29, served with a side of spaghetti – 943 locations
  • Romano’s Macaroni Grill – $22, served with spaghetti and tomato sauce – 17 locations
  • The Old Spaghetti Factory – $22.75, served with a side of spaghetti with tomato sauce – 41 locations
  • The Spaghetti Warehouse – $18, served with spaghetti with tomato sauce, bread and salad or soup – 5 locations
 
The average price is just about $22, $2 more than in February 2024. Interestingly, the number of locations for each of the chains decreased when I did this in February of last year with one exception, Olive Garden.
 
Chicken Parmesan is also a common menu item on Houston area Italian-American menus. It will average about $3.50 more than the national chains, but will hopefully be tastier. Certainly it will at some of these:

  • B.B. Italia – $26
  • Carrabba’s, The Original – $28.39, served with a side of fettuccine Alfredo
  • Cavatore – $26, served with a side of penne with tomato sauce
  • Ciro’s – $22.95, served with a side of fettuccine Alfredo
  • Coppa – $29, served with a side of fettuccine with a cheese sauce
  • D’Amico’s – $26, served with a side of fettucine Alfredo or spaghetti with tomato sauce
  • Enoteca Rossa – $32, served with side of pasta
  • Fratelli’s – $18 (only on the lunch menu), served with a side of pasta with tomato sauce
  • George’s Pastaria – $24.95, served with a side of pasta
  • Grotto – $27, served with a side of angel hair pasta with tomato sauce
  • Italianio’s – $14.95
  • Marmo – $30
  • Mia Bella – $26, served with a side of pasta
  • Milton – $30, served with a side of spaghetti
  • Numero 28 – $24, served with a side of spaghetti
  • Palazzo’s – $22, served with a side of fettuccine Alfredo
  • Passarella – $21.95, served with a side of spaghetti with tomato sauce
  • Piatto – $24.95, served with a side of fettuccine Alfredo
  • Primo Pasta – $18.95, served with a side of fettuccine Alfredo
  • Rocco’s – $18.95, served with a side of fettucine Alfredo
  • Trattoria Sofia – $28
  • Triola’s Kitchen – $28, served with a side of rigatoni with tomato sauce
  • Zammitti’s – $21.75, served with side of linguine
  • Zanti’s –  $32, served with a side of pasta
 
The version at Maggiano's Little Italy
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Easily the best pair of house wines in Houston

7/14/2025

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Wines by glass are often disappointing and expensive for what they are. A recent visit to a high-profile new restaurant was a case in point. The red Rhône I ordered that was just $14. It was pleasant, mild, well-made and quickly forgettable though it helped to wash down my entrée. Disappointingly, the pour seemed to be just 3-ounces, a half-pour at local wine bars. That amount was actually more than one I’ve had at Jun before. Wines by the glass are a big profit centers, sometimes very big. Wine bars mostly traffic in single pours so they have to be more generous, but two offerings always on the list at 13 Celsius are especially notable. Not surprising, as 13 Celsius is Houston’s best wine bar.
 
With a new white wine on the menu, 13 Celsius now has undoubtedly the best-valued pair of house wines in the city. Last year, it began serving the Patina Due Gelsi Barbera d’Alba from the 2021 vintage. I’ve long been a fan of Barberas, and this is an easy one to enjoy. With some berry and cherry notes on the nose, the first sips are smooth, dry, with less immediate acidity that Barbera was once largely known for.  It has a nice body, rich and with some tannins from the wood-aging but those are not prominent. It is easy wine to drink without food; the 15% alcohol is pleasantly obscured. Made by Guidobono, which makes several wines including a Barolo in the Langhe and Roero in Piedmont, exclusively for 13 Celsius under the Patina label and found nowhere else. This will readily appeal to most fans of Italian reds and it has also resonated with a big range of red wine drinkers at 13 Celsius.  
 
Last month, it began serving Patina Blanc Petit Chablis 2022 that is made for the bar by the respected Domaine des Malandes, which also produces Premier and Grand Cru wines. This Chardonnay from northern Burgundy has notes of grapefruit and green apple and a quickly evident liveliness, though the acidity is maybe a little less than expected from a Chablis and a touch more roundness on the palate. This is a very easy wine to like, with a nice balance among its fruit, acidity and minerality. There certainly cannot be a better house white wine in town today. These are truly house wines, too. You’ll notice that the Barbera features a photo of the distressed tin tile ceiling at the bar that might not readily be noticed after the second glass. The Petit Chablis has an image of the wall of the courtyard. Both are $13, of course, for a full pour, and $7.50 for 3-ounce half pour. 
 
13 Celsius
3000 Caroline (just north of Elgin), 77004, (713) 529-8466
13celsius.com
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Hoagies and the advent of the Italian sandwiches

5/6/2025

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The first, and most widespread type of Italian-American cold sandwich is one on a typically eight- to ten-inch fresh loaf of bread about three inches wide sliced lengthwise and filled with a copious amount of Italian or Italian-style cold cuts, or boiled ham, slices of cheese, usually Provolone, and tomatoes, often shredded lettuce, maybe preserved peppers, plus a dash of olive oil and another of vinegar. Never mayonnaise, at least on the East Coast. The combination features tartness from the vinegar, the bite of peppers, satiating meatiness, the slightly crisp texture of the lettuce, the aroma and taste of recently baked, fresh and usually crusty bread, and often some residual oil on hands or clothing. At least when served fully sized, its origins as a laborer’s lunch are easy to see. These sandwiches, often stuffed to the brim and wrapped in paper to contain the bounty, reflected the abundance of America, not the restraint of Italy. Whether named hero, submarine, hoagie, grinder, Italian, spuckie, zep, or torpedo, these are fairly similar regional variations created in the northeast by southern Italian immigrants or their offspring.  In one version or another, most frequently with the “submarine” or “sub” name – often to the dismay of many Philadelphians – these are now found throughout the country in various forms and level of quality, courtesy of the business magic of franchising. The name, sub for these, appears to have originated in northern New Jersey in the early 20th century.  The origin stories are often not so clear – for both the creations and their names – but it seems that several of the familiar cold sandwiches on a long roll developed independently in several areas in the northeast after the arrival of Italian immigrants.
 
The first of these sandwiches made and served to immigrant labor from southern Italy seems to have been in the west side Hell’s Kitchen neighborhood of New York in the late 19th century at a grocer called Petrucci’s. From the bowels of New York it spread south to other Italian enclaves on the island than across the East River to Brooklyn and then Queens and north to the Bronx. It took a few decades to acquire the name “hero.” That seemingly came from famed New York Herald Tribune food writer Clementine Paddleford in 1936, who wrote about the large sandwich: “You'd have to be a hero to finish one.” Another very early version was created in the unlikely town of Portland, Maine, the Italian sandwich, a name that carries until today. Descriptively named for its creator, Giovanni Amato in 1902, and most of the earliest customers, it consists of fresh bread casing slices of cold cuts, cheddar cheese – using what could be sourced – and tomatoes, with green peppers, spicy pickles, olives, onions, and oil with salt and pepper. What began as a cart, Amato’s Sandwich Shop is still open today, and in a number of locations. 
 
Philadelphia’s favorite sandwich, the hoagie, got its start at DiCostanza's Grocery, just south of the city in Chester, in the mid-1920s according to most of the reliable sources, but without the odd name.  As for that, it could be that a certain Al DePalma was walking down busy Broad Street when two men holding huge sandwiches passed near, he heard one say “you have to be a hog to eat one of those.”  A few years later, DePalma remembered the vignette when he opened a small restaurant, and named his long sandwiches at DePalma’s, likely modeled from others in the area, as "hoggies.” This vignette may not be entirely true, but Al DePalma apparently deserves the credit for naming the iconic sandwiches in a commercial sense, at least in its initial moniker.  The original version probably consisted of Italian-style cold cuts, cheese, and lettuce garnished with a choice among tomatoes, onion, peppers and pickles, and slathered with oil, mustard, and, unusual for Italian-run places, mayonnaise. Its success drew many imitators. After the Second World War, the sandwich name became a “hoagie,” reflecting the distinctively pleasant Philadelphia accent featuring extended vowels, “HO-gie.”  This type of sandwich has taken deep root.

The Italian with some extra hot peppers from Primo Hoagies. Quite tasty.
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Ten favorite sandwiches in Houston

1/15/2025

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Elro and its Hoagie and Meatball Sub are gone as the last year closed, but there are still a fair share of worthwhile detours for sandwiches, hot and cold. Below is a current list of my favorite sandwiches. Sandwiches, not shawarmas, wraps, or the sandwich-adjacent hamburgers or hot dogs, though I like all those – with the expected exception of wraps. Unintentionally, among the sandwiches I’ve got on the list: a Houston original; Texas barbecue; a regional Italian; Italian-American via New Orleans; a New Orleans-style po boy; deli, including pastrami a couple or three times – always loved pastrami – banh mi; Philadelphian; and a torta. Properly Houston. Here are the ten favorites, listed alphabetically:
 
Angelo’z – Regular Po Boy – $7.15 – With the distinctive, airy 9-inch rolls, a tad dry and slightly crunchy, recently baked at Royal Bakery in Montrose, Angelo’z is the truest and best successor to the once-loved, family-operated Antone’s that plied Houston with inexpensive sandwiches for several decades. My favorite these days, this basic, classic cold combination features ham, salami, provolone cheese, the signature chow chow, mayonnaise and pickles that somehow tastes much better than it seems it should.
 
Blood Bros. BBQ – Tritip Pastrami Sandwich – $15 – This is a terrific take on the familiar starring a 44 Farms-brand ground brisket patty bearing a lightly smokey taste, melted Swiss cheese, onions, and its Duke’s of Hazzard spread in between slices of grilled marbled light rye. Delicious there and even travels well.
 
Casetta Cucina – Mortadella Schiacciata – $15.50 with the robiola – If you enjoy the sandwiches in Italy, from the Autogrill or lesser autostrade stops or just like Italianate versions anywhere, you'll really like the ones here featuring top-notch ingredients used intelligently and judiciously. Schiacciata is a slightly dense focaccia-like bread from Tuscany, where chef and proprietor Francesco Casetta hails, which provides a sturdy base for these sandwiches that are a little different. Baked in house, the bread makes a difference in the quality, too. In between slices of the schiacciata, with some big chunks of sea salt atop providing a little additional texture, goes the soft mortadella with pistachio, melted, mild robiola cheese, contrastingly bitter arugula, and a little peppery Tuscan olive oil (I’ve assumed). This is a perfectly Italian or Tuscan construction.
 
Feges BBQ – Chopped Brisket Sandwich – $15, large – There are a lot of really good brisket sandwiches in town these days, but I opt for the one at Feges in Spring Branch here, a comfortable stop. Sliced is a better test for barbecue joints, which Feges passes with flying colors, and I often go for the fairly manageably-sized and lazier-to-eat chopped. The roughly chopped beef is fitted with a quality soft bun and is best with a few squirts its mustard-y barbecue sauce to add a little complementary zestiness.
  
Josephine's – Muffuletta ½ – $19 – It does a terrific job with the muffaletta, even better than at the reported originator, Central Grocery in New Orleans, and now my favorite version in Houston. Unlike the original, it is toasted and served a bit warm, and the meats – capicola, mortadella and salami – slightly melted provolone and Swiss, and the bracing olive salad meld together extremely well, maybe helped by some of the cooking heat. The bread from Royal Bakery on Dunlavy is properly robust, tasty and fresh, making for a great start and base for the sandwich. It goes on from there, from the slight crunch of the warmed loaf, then the vinegary touch of the vegetable mix and soft, hearty slices of meaty proteins, making for a delicious bites.  With a lot of oil, it is messier than most. Served with potato chips.

Kenny & Ziggy's – The One And Only Reuben, with pastrami – $26.95 – Quite overstuffed, with melted Swiss, hot sauerkraut, and Russian dressing, excellent seeded rye baked on site, and a copious amount of the triple-smoked, house-made pastrami – making a cardiologist’s nightmare – is even more delicious than it is messy to eat. Many extra napkins are necessary. The Pastrami Sandwich, $23.95, served hot, is worthwhile substitution that’s also a favorite.
 
Pappa Geno’s – Philly Steak and Cheese Sandwich – $13.99 – These invariably also messy sandwiches are large, featuring fresh, soft rolls, thinly sliced seasoned beef that is tender and flavorful and well complemented by the plentiful melted provolone and nearly caramelized onions that come with it in this, its base cheesesteak. The ingredients might not have the provenance of those on many upscale restaurants, but they are more than good enough and work wonderfully together. This and the other versions were definitely better than from the local location of Tony Luke’s – highly regarded in the City of Brotherly Love – that I tried a couple of times but had the misfortune of being located near of Pappa Geno’s during its brief tenure.
 
Roostar – Grilled Pork Sandwich – $8.19 – Now with a trio of locations in various parts of town, this Banh Mi 2.0 operation is both slicker and more efficient, and better, overall, than its predecessors. Jalapeños cut horizontally – if less plentiful than I like – shredded pickled carrots, cucumbers, cilantro with stems, soy sauce and garlicky aioli fill the sliced rolls from the excellent Slow Dough Bakery that are maybe more traditionally French than is found at other banh mi spots. Not just the bread, but the proteins, including grilled pork, are generally better quality than elsewhere, too. It’s my favorite of the bánh mì thịt nướng options these days, a sandwich I’ve consumed into the hundreds by now.
 
Tio Trompo – Torta al Pastor – $9 – This is a fairly bare-bones counter service taqueria with a limited menu that specializes in cuts of pork from the spinner, the trompo, the vertical spit used to cook pork al pastor. That slowly roasted pork from it – which retains its moistness even in crisp pieces, unlike for al pastor at far too many taquerias in Houston – fills several types of tacos and the torta. Telara bread from local favorite El Bolillo, almost always quite fresh and crusty, provides a tasty complement to the pork, which is joined by a thin slather of refried beans, tomato slices, shredded lettuce, and wedges of avocado. Excellent salsas complete the experience.
 
Winnie’s – Shrimp Po-Boy – $17 – This New Orleans-style po boy is just one of the reasons to fight the parking hassles to get here. Featuring medium-sized, cornmeal-dusted Gulf shrimp deep-fried and properly overflowing from the classic Leidenheimer po-boy roll that’s shipped in fresh twice a week, it is dressed a little differently – tomato, Savoy cabbage, pickles, mayonnaise a Creole mustard vinaigrette – that all works really well.

The Shrimp Po-Boy at Winnie's
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The 10 best restaurants to open in Houston in 2024

12/22/2024

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The biggest dining news of 2024 was the Michelin Guide’s restaurant recommendations for the first time for the state, the company drawn by subsidies from local and state tourist boards. Its inspector(s) was, were, reportedly based in Austin, which is why the state’s capital in laughably ludicrous fashion had both more stars and many more recommended restaurants overall – 44 to 26 – than did the fourth largest and one of the very best dining cities in the country. There were quite a number of glaring omissions for Houston. And the French seemingly had their first taste of our excellent Texas brisket and were utterly thrown off kilter for the guide, producing wildly uneven results. Just about a quarter of all its recommended restaurants in the state were barbecue joints and also a quarter of its stars. But it is a start and a positive that Michelin is here.
 
Maybe not as exciting as last year with highlights that don’t quite reach Katami or Little’s Oyster Bar, this year saw a number of enticing new eateries. I had good luck with most of the anticipated newcomers, if with a handful of significant exceptions. Nicely, long punching under its weight, Houston’s pizza landscape improved some more with the openings of Pizzana, Karbach Brewing’s Pizza & Pints, and Magdalena’s, that last which dished pizzas like the old Dolce Vita, if somewhat inconsistently. That scene is taking a hit with the closure of Elro – excellent for pizza and a good deal more – at the end of the year. Hopefully, chef Terrence Gallivan’s hiatus will on local dining scene with be brief.
 
If there was any theme this year among several of the top new places it might be comfort. Steaks had prominent places in several of the top newcomers, and there were more new upscale steakhouses to be found, of course. And Berg Hospitality again opened some additional concepts, all with expensive, attractive build-outs. One just too late for this year is Barbacana, featuring the former chef de cuisine at March and a well-pedigreed team. It limited service just before Christmas, fully so early next year for what might be an exciting new stop downtown.
 
Here are the ten best restaurants in Houston this year, listed alphabetically.
 
Bar Bludorn – New American – Entrées: $19 to $75, $49 average – Bringing its signature level of service and attention to detail to west Houston, this is the third restaurant from the group that incudes the Bludorn and the terrific Navy Blue. Along with the name, the mid-century modern-inspired décor helps give a more casual feel, and the welcoming and proficient bar upon entrance reinforces that. There are Atlantic oysters to start that can be baked and fried, too, for the more squeamish. Fries also work at the bar, but could be crispier and accompanying aioli more assertive. The dining room menu highlight steaks along with a roasted duck and a fried chicken with a peanut butter gravy, both of which have drawn critical praise. The handful of pastas can be primo-sized or a full portion, and there should be plenty more from which to choose for nearly any diner, with familiar items done somewhat creatively. Fun desserts like the Foie Gras Candy Bar provide some very tempting calories before you are out the door. The wine list has a French accent and is nicely chosen, as expected, with Burgundies, more red than white. These can satiate both the well-heeled Memorial Villages burghers and those planning to spend a under $100. There are more than enough enticing options on the list that won’t break the bank.  Memorial
 
Baso – New American – Plates: $16 to $200, $80 average order – Easy to miss, though directly across 19th Street from the outstanding Squable, this another destination spot in the Heights. Inspired by the live-fire cooking at the lauded restaurants of the Basque region, a hearth greets diners at the start of the lengthy open kitchen of this earnest establishment with a from-the-bootstraps design that includes a neat kitchen bar that should attract curious diners. The menu is even much more inscrutable than most, but the attentive staff will ably describe the night’s offerings and help offer a course through the visit. Dishes are mostly small, composed and imaginative, and all meant for sharing. Subtle spiciness is common aspect in many, welcome for Houston. Among the handful of larger preparations is a grilled pork chop topped with “jowl condiment” that results in a juicy, delicious slab, certainly one of the best porcine creations in town. But watching one of the beefsteaks near the glowing embers might be an even more tempting treat. You’ll need a few plates, and prices quickly add up. With wine, plan on at least $200 per person. More if you are an enthusiastic diner. Prices skew high on the short list with some temptations: there is not much desirable in two-digits among the reds, for example. But the wines by the glass are well-chosen and mostly under a dollars under $20, not a given at many nicer spots these days. The seemingly oddly constructed cocktails can be a very good place to start, too.  Heights
 
Late August – New American – Entrées: $17 to $60, $35 average –  Set on the first floor of the multi-use ION at the edge of Midtown, not too far from Chris Williams’s Lucille’s, here Williams teams with chef Sergio Hidalgo to offer a menu that ranges widely and should resonate with most local diners. About half of the creatively turned and nicely plated dishes feature Mexican ingredients and preparations while also going to neighboring Louisiana, Jamaica, Africa, east, west and south, and the Middle East for ideas, with all the fruits and vegetables coming from their farm near Sugar Land that also supplies Lucille’s. There are shrimp meatballs, pea hummus with chorizo and chapulines, green macaroni and cheese with pureed greens and coconut cream, Louisiana barbecue seafood – more than just the shrimp – and Navajo fry bread to sop up the sauce. One highlight is the Crispy Octopus with an well-integrated, typically wide mix of components: yucca, romesco sauce, corn, avocado cream, and something called shrimp chorizo. The contemporary space is handsomely done and inviting. With wines by the glass and cocktails to a lesser extent a little more lightly priced than most nice restaurants, the bar can be even more so.  Midtown
 
Leo’s River Oaks – American – Entrées: $40 to $150, $76 average – The menu is far from exciting, the expensively wrought interior might seem to many dark and gloomy rather than romantic, bar service a bit clunky with uninspiring creations, and the California-heavy wine list is much better suited for the suburbs than the heart of the city. But the main reason to visit is that Tim Reading is heading the kitchen and you can be assured that the mostly familiar fare will be executed very well. Reading was last at Georgia James Tavern, as Underbelly Hospitality was in the early days of its implosion after it parted ways with Chris Shepherd, and before that executive chef at Caracol and then his really nicely done counter-service Mexican spot in Bravery Chef Hall, Ixim. One of the several steaks here will drive up the bill if not as much as the necessary caviar service. The menu veers Italian at times, with risotto, carpaccio, burrata with beets, a side of broccolini, agnolotti and veal Milanese done properly with a bone-in veal chop. The gnocchi are French, though, but lightly done and quite tasteful, even if the portions are truly side size. There is plenty of which to choose for most diners and it can be an easy visit before a movie, with the newly renovated River Oaks Theatre adjacent. If not, it services the theater, too.  Heights
 
Marigold Club – American – Entrées: $21 to $92, $58 average – Though this upscale spot references London’s Mayfair on the menu and a name that might evoke a gentry-rich men’s club there, this is might be best described as American with some French touches, or mid-century wealthy American updated for present-day Houston; intelligently and even slyly updated, as you might expect from the folks at Goodnight Hospitality (March, Rosie Cannonball). Steak tartare, a seafood tower, pâté with a cherry chutney, Dover sole with the tomato-y vierge sauce, and the Duck Wellington with green peppercorns, highlight an approachable and playful-at-times menu. There are black truffles that can be shaved on, and caviar service, of course, if not the beluga of the Russian oligarchs who once widely owned in Mayfair. Though possibly stuffy on first glance, it can be fun, when noticing the wall treatments of jubilant well-to-do diners of possibly Houston today and then the sundae cart on the menu that prowls the dining room. As expected from the group, the wine list is excellent, and bar service is exemplary.  Montrose
 
Maximo – Mexican – Entrées: $16 to $30, $22 average – Tucked well into West University Place, occupying a long-standing restaurant space in retail strip, this almost-too-cute-to-be-this-good spot was the best Mexican restaurant to open here in this year. From the Local Foods Group, which had another new winner with Milton’s, this dishes up a focused menu of casual, sometimes heathy, always interesting Mexican preparations that not dumbed down in any way for the address. The smaller sized portions are usually executed quite well with presentations more artful than usual. There are tacos anchored by flavorful house-made tortillas in a half-dozen ways – no trompo so pass on the invariably slightly dry pastor – soups and salads, smaller plates and some bigger items from the plancha like a butterflied whole red snapper, fajitas and bowls and burritos with a choice of meats.  West U
 
MF Lobster & Seafood – Seafood – Entrées: $18 to $60, $36 average – Set in a striking, stand-alone circular structure, if reminiscent the Monitor’s turret fitted with a brimmed hat, and joining Auden and other restaurant concepts in the usually idyllic and sometimes bustling Autry Court, sushi star Chris Kinjo and his lieutenant Miguel Alvarez have created a enticing menu that includes New England seafood items along with Mexican, Japanese and Italian-American preparations. In lesser hands, it might seem unfocused, but here, knowing the level of sourcing and execution, it can be tougher to decide what to order than at most places. There is silky and substantial clam chowder, delicate crudos and ceviches, shrimp tacos, lobster rolls, seafood pastas, and cioppino. The interior is attractive, with floor-to-ceiling windows providing nice vistas and there is a bar made for lingering. The wine is a weak link here, though there are bottles displayed for sale throughout the dining room, somewhat distractedly.  River Oaks
 
Milton’s – Italian-American – Entrées: $23 to $68, $33 average – One tipoff that the restaurant is worthy is at the start, the bread service. It is terrific and tough to resist: excellent, unique breadsticks, soft mouth-watering rolls, and a white country bread that is the best of the three. The quite obscure tigelle on the menu – a bread type from Emilia-Romagna – is also quite tasty. In the space that the really creditable Eau Tour occupied last comes an easier sell than French here, Italian-American. Described as an “American trattoria,” a phrase that doesn’t make a lot of sense, this serves chef-y touches to Italian-American fare with some contemporary Italian-from-Italy items in an approachable neighborhood setting fitting for the pricey zip codes nearby. If jazzed up, there are the expected-today octopus, arancini, burrata, branzino and n’duja but also sweetbreads, honest-to-goodness veal Parmesan, and Shrimp de Jonghe, Chicago’s gift to seafood cookery. For nearly ten different hearty preparations, the pastas are made in house guided by Seth Siegel-Gardner, the culinary director at the parent Local Foods Group, formerly the one half of the Pass & Provisions duo. The chicken liver survives from its predecessor, while and the Italian-heavy wine selections are a big improvement from the very odd ones offered before.  Rice Village
 
Okto – Mediterranean – Entrées: $30 to $62, $48 average – In the multi-used Monrose Collective, this is an engagingly created space, from the patio to lively dining room and immediately upon entering, the quite expansive, impressive horseshoe-shaped bar. This is an inviting stop for a drink and small plate from a short menu that is well-suited to noshing and sharing. The sharing might be the best option here. With dishes inspired mostly by the Levant, Greece, North Africa, the usually meaningless Mediterranean description actually fits here, and these choices are mostly easy to eat with others. Seafood carpaccio and tartare, olives, feta, plenty of vegetables, a grill, lamb, of course, and a couple of steaks including an old school Tournedos Rossini, and with foie gras. Monte Carlo is on the Med, after all. It can be thought of as a more attractively set version of its sibling Hamsa – but with the similarly tough parking situation. Valet. Decent short wine list, though there are hardly any red wines for under $100 a bottle, rather annoyingly. And if the dullest gin and tonic imaginable is an indication, don’t bother with the house cocktails. The bar is still an attraction, though.  Montrose
 
Pizzana – Pizza – Entrées: $16 to $27, $22 average – Los Angeles-bred, celebrity-backed, this is the real deal for Neapolitan-inspired pizzas, immediately becoming one of the best pizzerias in town when it opened early in the year. You can’t have a good pizza without a good crust and these “neo-Neapolitan” creations sit on a sturdy, crispy, airy and very tasty platforms created with a dough kneaded by hand and fermented for a couple of days. Rather than the traditional soft Neapolitan pizza dough, it is actually modeled on the bread dough from the bakery of chef Daniele Uditi’s aunt in Caserta near Naples. It works extremely well. Available in a variety of combinations with a number of high quality toppings used judiciously. There are classic Neapolitan, American, along with some occasionally fanciful like its signature Cacio e Peppe, and a seasonal Carnitas with sliced Mexican-spiced porchetta, two salsas, parsley-cilantro and roasted tomato chipotle, imported cow’s milk mozzarella, fresh cilantro, and sliced raw serranos that nicely played to the Houston palate. Antipasti, pastas, and salads, too, but the pizza pies are the reason, and not the atmosphere, you should visit this perfunctorily designed spot.  River Oaks
 
A couple of honorable mentions for nicely utilitarian, affordable counter-service options that work well for lunch (and breakfast): Casetta’s Cucina for its Tuscan-inspired sandwiches on house-made bread in Spring Branch, and The Little Taco Shop for tacos, quesadillas and more that dishes similar items better than can be expected from this small storefront in the Upper Kirby District.

One of the enticements at Late August
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You might want to pick up some extra panettone at the supermarket for these

12/20/2024

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It seems for a while now that supermarkets and big liquor stores have aggressively featured panettone: palettes of them in at least a dozen different brands and a number of sizes. Panettone is the Italian tall, dome-shaped cake that makes its appearance before Christmas. Originally from Milan, it is popular throughout much of Italy during the Christmas season, at least the lands north of Rome. Somewhat like an Italian version of fruitcake, if much tastier even in industrialized form, it is big business now, and makes for a pleasant dessert or a semi-sweet accompaniment to coffee or something stronger.
 
Panettone is actually a little more versatile than you might expect. This is good to know if you end up with plenty of it left after Christmas and tired of eating it with coffee or a liqueur, tempted to toss out the remainder of the often substantially sized box. At an Italian Expo event here some years ago, a chef who had worked in Milan served an amazingly simple sandwich from his restaurant’s booth. It was mascarpone slathered between a couple of slices from a panettone. It was very good, and extremely easy to replicate at home, and affordable. An inexpensive one kilo (two-pound-plus) panettone can be had for $10 or so. I picked up one at Kroger the other for just $6.99. Even better with the slices of panettone are toasted.
 
Another use was suggested to me by famed restaurateur Piero Selvaggio of Valentino a while back, especially for somewhat past-prime panettone. It makes the base for terrific French toast. Something I’ve done a number of times. Or, more accurately, that might be Milanese toast.
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The Italian steakhouse, Frank Sinatra, and other peculiarities found among Italian restaurants

12/11/2024

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Italian restaurants, which I consider too often…. Though Italian restaurants, or a fair number, generally became more truly Italian over the years, several widespread aspects of the Italian restaurants in America were not found in Italy. These included a small bowl or cruet of olive oil set on the table along with a basket of bread for dipping into the oil. This seems to have begun in the 1980s. It might have been one of the innovations of ground-breaking New York restaurateur Pino Luongo, whose Tuscan-inspired restaurants included Coco Pazzo that once had a location in Houston. Though the concept of dipping raw vegetables into oil, pinzimonio, is found in parts of Italy, the similar use of bread is not, at least the way it is done in this country. Olive oil for the bread on the table was a crowd-pleaser and quickly spread, becoming expected by most diners, even if it was an additional freebie for the owner and a way for customers to waste a lot of decent olive oil. It became emblematic of Italian restaurants here – as much as soft, overcooked pasta served with a lot of sauce – and was resisted only by those able to adhere more closely to the Italian model.
 
If presented in a bowl or plate, the olive oil was often studded with herbs, garlic and sometimes industrial balsamic vinegar. The use of the sweet vinegar became another hallmark of American Italian dining. Balsamic vinegar in its truest, most artisanal form, was nearly unknown outside of its home in and around the north-central city of Modena in Emilia-Romagna until it began to be imported into the U.S. by Williams Sonoma in the late 1970s and then used at the most discerning restaurants a few years later. As it took years to make small amounts, it was expensive, but its concentrated flavor went a long way as a condiment. As the original aged versions gained traction with Americans and the American press, commercial vinegars bearing the name “balsamic vinegar,” tasting vaguely similar and far less pricey, began to be produced. It was with these that most American diners grew to enjoy, both with bread and more so mixed with salads.
 
Predating both the table presentation of olive oil and the familiarity with this uniquely Italian-esque vinegar was the Italian steakhouse, at least in America. There are no steakhouses in Italy. Outside of the Florentines and later other Tuscans, there has been no steak tradition in Italy. In fact, the bistecca in the famous bistecca alla fiorentina comes from the English “beefsteak” because there was no suitable Italian name for the dish. “Being American is to eat a lot of beef steak,” as Kurt Vonnegut rightly observed, and Italian-Americans found it both profitable and enjoyable to serve steak. The first might have been The Palm in Manhattan that opened in the 1920s – very unfortunately, subsequently Landry-ized in recent years – even if it did not consciously start out as primarily a steakhouse. It was later joined, especially after 1990, by numerous others primarily in the northeast and Midwest. These served similar preparations and steaks as the typical grand American steakhouses. What made them “Italian” was that the menu was filled out with a number of rote Italian-American dishes, and usually the restaurant’s full name included the phrase, “Italian Steakhouse.” They could sell to customers wanting two different popular cuisines.

Frank Sinatra was a reportedly a big fan of one of the longtime Italian steakhouses, Gene & Georgetti’s in Chicago, which is still around and quite adept, with old school charm and a hearty menu updated with the times. Sinatra was reportedly a big fan of countless Italian-themed eateries. In fact, “Frank Sinatra ate here” might only be rivaled by “George Washington slept here” in the northeast. According to the dedicated road food warriors, Jane and Michael Stern, who would know better than anyone, “there are countless places between Philly and Boston (not to mention some in Vegas and Palm Springs) where, if you judged by the pictures on the wall, you'd have to say that Frank was the management's best friend.”   A tree of decades-old Italian-American eateries in the Los Angeles area can trace their heritage back to Sinatra beginning with Hollywood’s Villa Capri. Though Sinatra was, by all regards, a terrific customer known for his extremely generous tipping, he also brought a tremendous amount of star power and glamour. He was, after all, one of the most famous Americans since the time he burst on the scene in the early 1940s until his death in the late 1990s. The advertisement of a restaurant’s connection to Sinatra was and continues to be a recognizable feature of the Italian restaurant here, just as it once was with previous Italian-American heroes, Joe DiMaggio and Enrico Caruso.
 
Sinatra’s fixture is more permanent, because Sinatra’s music – and in some sense his persona – has become intertwined with Italian-American food and joyous carousing. Sinatra might be as much a part of the American Italian restaurant as red sauce. His songs and those of the other popular Italian-American singers interpreting the Great American Songbook after the Second World War have become a requisite part of the soundtrack of Italian-themed restaurants. Sinatra was just the best and has been the most played, but he is often joined by Dean Martin, Tony Bennett, Louis Prima, Bobby Darin, Jerry Vale, Jimmy Rosselli, Mario Lanza, Perry Como, Frankie Laine, and Vic Damone as part of the ambiance when out at an Italian restaurant.
 
Though American-bred singers seemed natural complements to the restaurants serving the food, what might be surprising is the disdain that the vast majority of Italians have to Italian food with any American concessions. Most Italians absolutely cannot stand Italian-American food, or at least they say so. This seems to stem largely from the fact that Italians have possibly the narrowest palates in the world, or at least they did in decades past. That and their intense local pride fostered by history and geography. They might complain bitterly about the preparations of dish a town over in Italy if it is slightly different than their own. Of course, they are typically quick to criticize restaurants here.
 
No matter. Italian restaurants in America need to be in business not necessarily to be that Italian.  

From an Italian steakhouse chain in the Midwest; a steak with some seemingly Italian-American touches
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A terrific Tuscan take on the sandwich in Spring Branch

11/25/2024

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As there are so many delicious foods to be found in hopelessly unattractive strip centers throughout the Houston area, it should be no surprise that excellent sandwiches can be had at one in a small place that opened this summer in Spring Branch, on Campbell just north of I-10. The surprise is that sandwiches are somewhat of an afterthought there. Primarily a fresh pasta shop also selling accompanying sauces, Casetta Cucina, has just three sandwiches. These are rather unique, Italian sandwiches made with the unusual Tuscan schiacciata bread, a fairly dense focaccia-like bread made in-house that gives the assemblages a sturdy, delicious base. The unusual name with its assault of consonants might give pause when customers go into the shop for pasta and see the little placard on the counter for sandwiches bearing this name. It is pronounced skiah-CHA-tah. Not too hard.
 
If you enjoy the sandwiches in Italy, from the Autogrill or lesser autostrade stops or in cafés there in the afternoon, or just enjoy Italianate versions anywhere, you'll really like the ones here featuring top-notch ingredients used intelligently and judiciously. I’ve liked them even more than the ones I’ve had over the years in Italy. And these are very similar, if just a little different because of the bread. There is the Caprese with rich buffalo milk mozzarella and tomato slices bolstered with a little bit of pesto, another featuring prosciutto, with the mozzarella and bitter arugula, and the third with pistachio-studded mortadella, arugula and for an additional couple of dollars, melted creamy, buttery robiola from the Italian cheesemakers at Lira Rossa a couple of hours west of Houston. Along with noticeable olive oil, each is topped large grains of sea salt that add a very welcome flavor to the mix. Each of the three is very good, though the mortadella one has been my favorite. Just those three now, I’ve been told a Sicilian hamburger is on the way. Whatever that might be, I’m sure it will be worth a try, at the very least.
 
Casetta Cucina is mostly a spot to pick up pasta fresca, pasta made by hand. The pasta-making station greets you as you enter, situated prominently behind the counter separated by glass with either owner, Francesco Casetta, or another worker plying away, with stacked, big bags of Caputo flour from Italy visible on the floor. You might have seen Casetta at one of the weekend farmers markets selling pasta. Once the executive chef at Tony's, he certainly has the skills to craft a quality sandwich. More so, since he making the bread.

There is not much to the place in terms of dining in, just a couple small tables or so out front and another in hallway, but the sandwiches travel very well back to the office or home.

Casetta Cucina

1024 Campbell Road (just north of I-10), 77055, (346) 546-8438
casettacucina.com
Monday-Friday, 9AM to 6PM
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The biggest Michelin misses and missteps

11/13/2024

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Michelin is most focused on false positives, avoiding undeserving inclusions – though there always some and a handful locals in this initial guide for Houston – and it’s obvious from the recommendations for other cities that the list scratches the surface, at best.  That is even much more so in the very first guide for a place when the inspector(s) for the city can only visit so many restaurants.
 
But Michelin starts slowly.  I heard from the ceremony on Monday that Michelin only starts an area with single stars at most.  Actually, I don’t believe that there are any two-star spots here, but good to know.  And likely confirmation that it is going slowly in all things.
 
Bao Ong had an interesting interview in the Houston Chronicle yesterday with “anonymous Chief Inspector of the Michelin Guide North America.”  There was a laughably odd response that, “The Michelin Guide is unique because it evaluates only the cuisine itself. But it can also mention service quality and decor, and describe the experience you can get at a certain restaurant.”  Maybe this is more true now with a few noodle shops, taco stands and now barbecue joints being recommended, but certainly décor and service matter, much more so when stars are awarded.  My friend in Mexico City thought that taco stand star was definitely a joke, even in terms of the food compared to many similar spots.
 
Anyway, I am very happy Michelin is here.  It’s a start, and there will be many more recommended places in the future, as in New York, Los Angeles, Chicago, and Washington, DC.
 
Star-worthy omissions:

  • Katami
  • Little Oyster’s Bar
  • Navy Blue
  • Uchi
 
Recommended, and most of these are Bib Gourmand according to its criteria, examples from other cities, and the ones that were cited for Houston as such:

  • Amalfi
  • Auden
  • Backstreet Café
  • Bari
  • Brennan’s
  • Caracol
  • Da Marco
  • Elro
  • Eunice
  • Goode Co. Seafood
  • Goode Co. Kitchen & Cantina – C’mon Candente over this?
  • Hugo’s
  • Lucille’s
  • Kata Robata
  • Kiran’s
  • Ostia
  • Pacha Nikkei
  • Pondicheri
  • Riel
  • Soto
  • Squable
  • Tiny Champions
  • Tony’s
  • Xochi
 
Inclusions I would not have made:

  • Rosemeyer BBQ – I was with a couple of other wine and food writers during the live-stream of the event and none of us had even heard of the place.  Maybe it is great, but there are a number of other barbecue places that are full-service spots that are certainly deserving that were not included.
  • Candente – I have dined here almost ten times and usually quite enjoy it, but I don't believe it is nearly as deserving as Goode Co. Kitchen & Cantina and El Tiempo, each probably hurt in consideration for having multiple locations.
  • Killen’s – Having dined heard several times and not too far from me, it has not been on my list to visit for a while now.  Maybe it has gotten better recently.  I have loved Killen’s BBQ and enjoyed Killen’s STQ.
 
Also, I don’t doubt that Corkscrew should have been included on the list, but certainly not with a star, especially with a number of other area barbecue joints are just as good, or better, and in nicer digs.

At Pacha Nikkei last year
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Italian restaurants and those red-checkered tablecloths

10/7/2024

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Along with empty Chianti fiaschi covered in wax from candles, red-and-white-checkered gingham tablecloths might quickly come to mind for many, maybe those a little older, when thinking of Italian restaurants. There was a strong association between the two for years in this country given the sheer number of Italian restaurants employing them. New York restaurateur Pino Luongo wrote “in 1983, there were only two types of Italian restaurants here. There were the places with the red-checkered tablecloths that served spaghetti and meatballs and veal piccata” and a far smaller number of fancy spots. Even today, it’s easy to find red and white coverings for sale with names like “Italian Restaurant Checkered Tablecloth,” “Italian Styled Red and White Checkered Print Tablecloth,” “Italian Checked Tablecloth” and “Checkered tablecloths – Not just for Italian restaurants.” The use of these types of tablecloths was not limited to Italian restaurants, and were also once very popular with a wide range of restaurants, especially in the nation’s biggest city. Joe Allen’s Paris restaurant that drew a lot of ink was described after opening in 1972 as having an ambiance that “is still definitely New York” prominently with “red‐checked tablecloths,” and even the landmark “21” restaurant famously had those in its bar area for decades until shuttered by the pandemic.
 
That Italian restaurants became linked to those tablecloths might have began in New York before Prohibition, where there were many more Italian restaurants than elsewhere. The Italian restaurateurs could have looked to the city’s popular, casual French bistros, or German, or affordable restaurants of any or nearly every stripe – except for Chinese, it seems – in the city for an example to borrow to suitably cover their tables. The starched white tablecloths at the nicer establishments signified something classier and more expensive. And cleaning and ironing those white tablecloths were more expensive, too. The affordability of these red-and-white-checkered options were certainly a significant factor, too. And, conveniently and maybe importantly, that busy red-and-white pattern help obscure stains from red sauce and red wine, which were brought to about every table.
 
As Italian-themed restaurants became more ambitious and pricier, and maybe more Italian, these lost the red-checkered patterns. These were seen by many diners as old fashioned. And that is reason is why you will still see them at some intentionally homier Italian-American places. Italian-American not Italian.
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A different and elevated cheeseburger at the Mucky Duck

10/4/2024

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As most savvy restaurant-goers know, the Mucky Duck – McGonigel's Mucky Duck, officially – though primarily a music showcase, has probably the best pub grub in the Houston area. Among the necessary and popular options is the hamburger, which are tastier, of course, when made into a cheeseburger. With cheeseburgers, I occasionally like a bleu cheese version. You can get one at the Mucky Duck that is different. The English Stilton is the bleu cheese.
 
Not just the classic pairing with an after-dinner port, the mild, savory and buttery-flavored Stilton gently melted on the thick patty provides a distinct and welcome complement, and not as strong as the typical bleu cheeses used. The high-quality cheese matches rest of the burger that features grass-fed, Akaushi beef from HeartBrand in Flatonia and a buttered and toasted billowing onion challah bun from Slow Dough, with strands of red onion and leafy lettuce in between. Paired with crisp, tasty fries. A nice German lager, also, in my case the other evening.
 
McGonigel's Mucky Duck
2425 Norfolk (just east of Kirby), 77098, (713) 528-5999
mcgonigels.com
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Rating the Oktoberfest beers found in Houston

9/21/2024

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It’s the season for Oktoberfest, that famous beer festival in Munich, which runs from late September into early October, inspiring breweries in Munich, elsewhere in Germany, and across this country to produce a slate of copper-colored, medium-bodied beers of the same name. The style most commonly known as Oktoberfest is Märzen, a lager that is clear and amber-hued featuring a smooth, malty taste and a slightly dry finish buttressed by a judicious use of classic German hops. It was introduced by the Spaten brewery in 1871-72, derived from a style of lager beer created in Vienna a few decades earlier. This is a style of beer I've really enjoyed over the years. I wrote about a tasting of these a decade ago, and thought it was about time to update it.
 
Märzen is March in German and was the last month in which brewing was possible because of the wild yeasts that quickly propagated during the warm days of summer in the time before refrigeration. The beer was stored in cold cellars – to “lager” in German – and drank during the course of the summer. The last of the beers, usually a little heavier and deemed more special, were consumed by the end of the September and early October for the festival and its predecessor fall festivals. The long storage ensured an especially smooth and flavorful beer. And it always is from the remaining six Munich brewers.
 
There is some confusion with the Oktoberfest name for beers, though. Beginning in the mid-1970s, the dawn of the age of light beer, Paulaner introduced the Festbier, a lighter beer than the Märzen to serve at the festival. It was similar if a little more alcoholic style of the brewery’s main beer, Helles. The other Munich breweries followed suit at the festival over the next couple of decades. So now for consumers here, Oktoberfest can mean either a Märzen or the broadly Helles style when labeled “Festbier,” or really some interpretation of either. When looking for the classic malty, darker beer look for both “Oktoberfest” and “Märzen” on a label.
 
Those traditional versions from Bavaria are smoother, more balanced between the slightly sweet taste of malt and a long, dry finish and, most significantly, without the flaws, the harsh notes often found in beers from the small domestic breweries, which are more also more alcoholic. Tasting for this proved again to me how difficult it is to make flavorful lager beers, especially those lightly hopped.
 
The ratings below are done in a hybrid of my copy of Michael Jackson’s Pocket Guide to Beer (signed by the author himself) and the New York Times wine scores, 0 to ****. It is mostly Märzen but the Festbier style, or name, is too common to ignore. The beers are listed in order of preference from the Oktoberfest beers I could find in Houston. The progenitor of the Märzen, Spaten, is not to be found here now, sadly.
 
 
Hacker-Pschorr Oktoberfest Märzen ***
Balanced flavor with malty aroma that extends to the slightly sweet taste with a bit of dryness at the end and very smooth throughout, it is cooling autumn Munich in a glass: expectedly very well-made, hearty, alcoholic and lending itself to some buzzy fun. Really easy to drink. 5.7% alcohol by volume; 21 IBUs
 
Paulaner Oktoberfest Märzen  ***
An welcome nose of sweet dark malt and then a malty, smooth taste and a long finish that is an exemplar of the Märzen style. Excellent. 5.8% alcohol by volume; 20 IBUs.
 
Ayinger Oktober Fest-Märzen  ** ½
Sporting a slightly malty aroma with a hint of nutmeg has a very long, extremely smooth and malty taste with a welcome touch of sweetness that makes it an easy beer to enjoy, if not quite as outstanding in the past. From one of the world’s greatest breweries. Just a little drier on the finish than its Bavarian brethren. 5.8% alcohol by volume; 23 IBUs.
 
Altstadt Okt Oktoberfest  ** ½
Amber color in the glass and malt nicely on the nose from a combination of almost traditional Pilsner, Vienna and Munich malted barley leading to a plush mouth feel and a just little sweetness in this Märzen-style lager. Its fairly clean finish stands out among small domestic breweries. Quite nice and quite easy to imbibe and doing Fredericksburg, Texas proud. 5.9% alcohol; 16 IBUs.
 
Samuel Adams Octoberfest  **
Slightly malty aromas were followed by a appropriately malty taste. Smooth and hearty if without the complexity of the Munich beers. Made in the traditional style, Sam Adams has been making this beer for a number of years and knows what it is doing; among the best of the American versions. 5.3% alcohol; 16 IBUs.
 
B52 Brewing Festbier  **
Golden-colored and featuring a different, almost-fruity aroma, this is dry and properly quite pleasant, Bavarian-inflected, well-rendered effort from this Conroe, Texas brewery. 5.8% alcohol; 22 IBUs.
 
Warsteiner Oktoberfest * ½
A yeasty aroma and lighter color for a Märzen, and not officially one, shows that this is a little different for the style. Smooth and soft-tasting, without much noticeable malt on the palate and a drier finish. 5.9% alcohol; 24 IBUs.
 
Karbach Karbachtoberfest  * ½
Lighter in color than nearly all of the others and the most effervescent, this had a long taste that was not nearly as malty or strong as the typical style, and less flavorful. Quite pleasant, if not delicious. Maybe authentic, but this is the Crawford Bock version of a traditional Märzen: something you know that this skilled brewing team with roots in Munich with which it can doing better. 5.5% alcohol; 25 IBUs.
 
Sierra Nevada Oktoberfest Festbier Gutmann Collab Effort * ½
Tastes like a Sierra Nevada with a hoppy finish and less malty profile than the other beers of this season. Different than what you might expect with Oktoberfest on the label, though lighter-colored like a Festbier. Smooth. Yet another high-quality product from one of the country’s best that is easy to enjoy even with the slightly elevated alcohol. 6.0% alcohol; 30 IBUs.
 
Bell’s Oktoberfest * ½
This Märzen offers a some malt and finishing dry and bit metallic; not as robustly flavorful as the best versions. Maybe not in this lauded Michigan brewer’s wheelhouse, it does come across as quite a well-made beer. 5.5% alcohol; 24 IBUs.
 
Galveston Bay Brewing Oktoberfest * ½
Smooth with evident maltiness and largely clean-tasting throughout, this is a satisfying, hearty lager. 6.5% alcohol; 22 IBUs.
 
Southern Star Oktoberfest  *
A bit malty, largely smooth but with a metallic aftertaste; better than most area versions. 6.3% alcohol; 25 IBUs
 
Saint Arnold Oktoberfest  *
Actually an ale, like Shiner’s version, but both looking the Märzen part in a glass. This is maltier and tastier, if not nearly one of Saint Arnold’s best beers, as it has a thin and metallic finish. More alcoholic than it once was, which might be appealing to some. 6.6% alcohol; 18 IBUs.
 
No Label Oktoberfest Festbier  *
Deep golden-colored, this is a richer beer for the style without the dryness or complexity of the Munich-brewed Festbiers but cleaner-tasting than those from most small breweries. 6.0% alcohol; 21 IBUs.
 
Spindletap Festbier  ½
Not much on the nose. Dry finish, mostly smooth. Austere, even for the style. 4.2% alcohol; ~20 IBUs.
 
Eureka Heights Von Wolfhausen Festbier  ½
Bronze-hued, crisp and dry, it is generally inoffensive, if a little unpleasant at the end. 4.5% alcohol; 15 IBUs.
 
Shiner Oktoberfest  ½
Odd with a hint of soapiness then metal. Thin for the style – that it is an ale not a lager might be a reason – and tasting fairly cheaply rendered. Mostly disagreeable. 5.7% alcohol; 18 IBUs.
 
Manhattan Project Beer Co. Oktoberfest   ½
A light brown color is the first hint that this is in the Märzen style as a brief taste of malt that leads to a too-thin and unpleasant, slightly metallic aftertaste. From Dallas. 5.5% alcohol; ~20 IBUs.
 
903 Oktoberfest   ½ 
Identified as a lager and Märzen and with a proper amber color, this Sherman, Texas-brewed beer has somewhat of home-brew aroma and some maltiness on the palate but then to a bit of a rough, dry taste that stays on the tongue. 5.4% alcohol; ~20 IBUs.
 
Texas Leaguer Mr. Oktoberfest Märzen  ½
Amusingly showing current Astros assistant Reggie Jackson in his Yankee days after a big swing (and probably a miss). Nice malty aroma, but with a thinner-tasting than hoped for and a mostly tinny aftertaste. Mo City, Texas. 5.7% alcohol; 21 IBUs.
 
Urban South Oktoberfest   ½ 
Sporting a pumpkin hue and emitting a home-brew aroma leads to an initial hint of malt but then to a harsh taste that lingers for this can labeled as a Märzen Lager. 6.2% alcohol; ~20 IBUs.
 
Equal Parts Oktoberfest  0 
Dark orange-colored, almost there, but it’s the highlight; a DYI homebrew aroma and a rough taste follows. Even salty snacks won’t encourage you to drink much of this. 6.1% alcohol; ~20 IBUs.
 
Paradigm Oktoberfest  0
Unpromising nose then thin and soapy on the palate. Ugh. Appealing clean can design for this lager, though. Tomball, Texas. 5.4% alcohol; ~20 IBUs.
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Scannabue in Turin offers a terrific introduction to the cuisine of Piedmont

9/14/2024

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Watching from a café, aperitivo at hand, across a small street from the popular trattoria Scannabue, we saw other tourists gathering at its entrance for the chance of a table that evening, seemingly all without luck. This helped reinforce the thought that this was a good choice for the first meal during my first visit to the charming city of Turin. But I was already feeling fairly confident as this restaurant in the bohemian- and immigrant-accented San Salvario neighborhood near the grand central train station was recommended in the Michelin guide – my go-to for dining in Europe – and had a Bib Gourmand designation to boot, had been cited in a recent New York Times travel piece, “36 Hours in Turin,” and even had a positive blurb from England’s top wine publication, Decanter.
 
Part of the initial seating, we were among the first to arrive in a low-ceiling setting that was homey, comfortable, but quickly filled with the liveliness of a popular, buzzy restaurant. The few diners there at the start, were, like us, seemingly eagerly looking toward the meal and enjoying the evening. Those expectations were to be met, exceeded even. The dinner, with bread, quickly brought to the table, including grissini, of course, then the dishes, was excellent and service was attentive, friendly, and nicely mostly in English. We went with the five-course traditional menu for a comparative song at just 35 euros, for a sample some of the highlights of the rich, often meaty and widely appealing cuisine of this land-locked region. That was, in succession: veal tonnato, playfully topped with a big caperberry; tender agnolotti del plin filled with three roasted ground meats; braised beef in red wine, this with veal cheek and mashed potatoes; whipped baccalà in more mashed potatoes; and bonet, a chocolate panna cotta, of sorts.
 
These were each updated versions of classic local and regional dishes, dishes I’d had in previous trips. These were just done better: more flavorful, richer, featuring evidently high quality ingredients, with considerable experience and skill in the kitchen, and generally presented more attractively. The veal tonnato featured very soft slices of roast veal, nicely tart, as good as any very I remembered having in the area. The pasta pockets that were the egg yolk-heavy agnolotti were tender and the meats, rustic-tasting, savory and hearty. The braise was unctuous, delicious. Even the baccalà, far from a typical order for me, was enjoyable. And bonet, was terrific, even after seemingly more than enough calories by that stage. The portions were hearty, as in a generous village trattoria, but the execution more refined, befitting a what is a top restaurant city like Turin.
 
Scannabue is a trattoria with evident surety in its cooking and also with a sense of more contemporary ideas. We saw the playful and acclaimed vasocottura, rabbit cooked in a jar with a tuna sauce, carried to a few tables. I look forward to a future return for something new, or maybe just what I had. It was that good.
 
As you might expect given its proximity to the famed wine regions nearby, the vinous offerings are numerous and well-chosen, even more so than most local trattorias. I had my eyes on an eminently food-friendly Barbera from nearby that I might not find at home, but the waitress directed us to a Barbera d’Asti from Sette that proved too thin and troppo naturale for my tastes. She was certainly very knowledgeable, but like many younger sommeliers, but had more a penchant for the new, less tried and funky than I do. The list, about 800 labels, was fun to peruse with a number of neat things from more than nearby: Emidio Pepe for just 65 euros and a couple bottlings of the other cult Montepulciano d’Abruzzo producer, Valentini. And couple from Cantina Giardino, a natural wine producer in Campania that actually knows its craft, that I have quite liked in the past.
 
This is a restaurant to visit when visiting Turin, wine lover or not. It’s some more fun if you are though.
 
Scannabue
Largo Saluzzo, 25/h, 10125
Turin, Italy
scannabue.it

The Guancia Brasata al Barbera su Purea di Patate at Scannabue
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The allure of a mob connected restaurant

9/10/2024

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When discussing heading to the Green Mill in Chicago to hear live music and maybe a few drinks in the late 1980s, my friends were quick to point out that it had been owned by Machine Gun McGurn, a legendary and legendary cruel mobster, several decades earlier. That reputation hung over place, part of its brand, and part of the draw. The mob connection has been an enticement for decades for customers, or a segment of customers, possibly lured by a sense of perceived danger, however small, the notoriety, the assumed raffishness of the spot, or even the attraction to the power of organized crime figures.
 
In an article in the Washington Post with the cheeky title, “A Real Shot in the Arm for N.Y. Eateries” in 1989 quotes a regular patron to The Bankers and Brokers Ristorante not far from his work: “The fact there's a mob shooting connected with the place does sort of add excitement…You feel like you're in the middle of it all,” referring to an organized crime shooting stemming from an incident at the restaurant, which was allegedly connected to a member of the Gambino family. That appeal was widespread and the benefit for the business was noted by Tim Zagat, “It's sad but true that shootings are good for the restaurant business….It's more publicity than a restaurant would ever get through reviews; it's worth millions.” There can be a practical side for this, as restaurants have provided more convenient settings for shootings, as it might the only public spots to find these often reclusive and armed targets. Even these Italian-Americans have had a penchant for Italian-American fare, so the place with the attendant publicity is usually Italian-themed, one of the hazards of doing business for some.
 
The best mob association for an establishment might be to have hosted a sensational murder or publicized shooting, but the appeal is also for those reputed to be mob hangouts or owned by a mobster, even once owned. There’s been quite a few of these mob-connected spots over the years, mostly in New York, where there’s been much more Italian organized crime but also Chicago and Philadelphia, and elsewhere. There is, or was, even another aspect to the appeal of mobsters at restaurants. Star critic Gael Greene, in the early years of her restaurant review column in New York magazine, wanted to check out in 1969 the thought in New York that the “Mafia is widely advanced as ‘the Michelin Guide for Italian restaurants.” Aided in her quest by a “gourmet crew of Mafia Boswells and plumpish law enforcement officers” who had “shared their personal dining guides to Mafia-starred restaurants,” she visited eight restaurants, four of which were in Little Italy, and another just blocks away, each serving familiar local takes on Southern Italian-American fare. Greene was not too impressed with these. That did not have to diminish the draw, though.

Below are a dozen of the most infamous over the years, one with a very memorable name even hosted a couple different murders decades apart.

Photo: Umberto's Clam House - Jerry Mosey/AP/Shutterstock
Restaurant
City
Event Date
What Happened
Amici
Brooklyn
April 2004
A 65-year-old mob figure described by a law enforcement official as ''erudite and sophisticated'' fatally stabbed his brother-in-law yesterday on the street in front of the restaurant of which the victim was a co-owner.
Bravo Sergio
Manhattan
1987
Site of the slaying of mob bagman Irwin ''Fat Man'' Schiff
CasaBlanca
Queens
1990s
Owned and used for meetings by Bonnano family boss, Joe Massino, well-suited for the nearly 400-pounder.
Dante & Luigi's
Philadelphia
Halloween 1989
The attempted murder of Nicky Scarfo, Jr., the son of the Philadelphia boss. Shot eight times by a man wearing a Batman mask and holding a Halloween basket, but survived.
Joe's Elbow Room
Cliffside Park, NJ
October 1951
Mobster Willie Moretti murdered here.
Joe and Mary Italian-American Restaurant
Queens
July 1979
Carmine Galante and two others were murdered while dining there, in the patio in back. he became a target of the mob because he wanted to become ‘Bosses of all Bosses’ and wasn’t afraid to knock off his rivals to do so.
Mama Luna's
Chicago
Halloween 1975
Anthony Reitinger, a bookie who had refused to pay the mob's weekly street tax and continued running his operation, was shot to death in full view of the rest of the customers.
Nuova Villa Tammaro
Brooklyn
April 1933
Giuseppe “Joe the Boss” Masseria was murdered here by Lucky Luciano's men.
Palace Chophouse and Tavern
Newark, NJ
October 1935
At around 10:15 p.m., mobster Dutch Schultz was shot in the men’s room, staggering out to restaurant, eventually sitting down at a table before being taken to the hospital where he died.
Rao's
East Harlem
September 1941
December 2003

September 1941 - An intended mob hit on gangster Joey Rao who had an ownership stake in his family's restaurant left a woman dead and a police officer and one of the five thugs who shot up the restaurant wounded.
December 2003 -  Louis Barone confronted another mobster Albert Circelli who was mercilessly heckling the singer at the restaurant. And then Barone fatally shot him.

Spark's
Midtown Manhattan
December 1987
The most famous mob murder in recent decades was this shooting of mob boss Paul Castellano on the street in front of the popular steakhouse brought John Gotti to the head of the Gambino family and soon national attention.
Umberto's Clam House
Little Italy Manhattan
April 1972
Top hoodlum Crazy Joe Gallo was famously shot here. And a scene in Martin Scorcese's "The Irishman" was set here, if quite fictitiously.
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    Mike Riccetti is a longtime Houston-based food writer and former editor for Zagat, and not incidentally the author of three editions of Houston Dining on the Cheap.

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